Saturday, May 18, 2013

Denali Legacy: New Exhibit at UA Museum


Today the UA Museum of the North in Fairbanks opens its new exhibit, “Denali Legacy: 100 Years on the Mountain.” The exhibit, which runs through April 2014 and was created in partnership with the National Park Service, explores the journey of the first expedition to summit the mountain through the original journals of those climbers.


   See artifacts from the 1913 expedition: the camp stove, a Eucharist set, and the climbers’ diaries.
   Learn how equipment from the last century compares to today’s technology.
   Hear saws and axes cutting into ice, feet crunching on snow, wind, and other sounds of Denali.
   Examine a scale model of the mountain and explore the 100-year history of routes and climbers.

Wednesday, May 15, 2013

Petersburg Newspapers, Digitized and Online (1913-1931)


The Petersburg Public Library has digitized editions of the Petersburg Weekly Report, Petersburg Press, Petersburg Herald, and The Progressive from 1913 to 1931. The issues are keyword-searchable and available online at:


As the library notes, “Discover people, places and events in the early days of our town. Use the archive to gain a local perspective on historical news, to research your family history or to read about a person or event that interests you.”

Sunday, May 12, 2013

Common Waters


Note: The following column is also posted at Alaska's Historic Canneries (alaskancanneries.blogspot.com).

When it came to Alaska fisheries, Anthony Dimond and W. C. Arnold didn’t see eye-to-eye very often. As the territory’s congressional delegate from 1933 to 1945, Dimond advocated local fisheries management, a hiring preference for Alaska residents, and the abolition of fish traps. As lawyer and lobbyist for the Seattle-based packing industry, Arnold opposed all of those things.

On at least one point, however, the two men were in full agreement.

In July 1937 at least ten and possibly as many as thirty Japanese fishing vessels entered Bristol Bay intent on catching salmon. They had neither license nor permission from the U.S. Fisheries Bureau to be there, but the Japanese government insisted the vessels were engaged only in a scientific research program. Alaska fishermen observed and photographed the Japanese crews harvesting large quantities of salmon, however. The outraged Alaskans estimated the catch of one factory trawler alone at 20,000 fish, a number that could only be for commercial, not scientific, purposes.
 
The Taiyo Maru, a Japanese factory vessel, and
auxiliary trawler in Bristol Bay in July 1937.
Both Dimond and Arnold—not to mention every other American with an interest in the Alaska fishing industry—supported political and diplomatic strategies that would exclude the Japanese from domestic fisheries. Dimond proposed extending the boundary of territorial waters as much as four hundred miles, a distance that would enclose all offshore waters over the continental shelf.

The 1937 controversy, for essentially the first time, aligned the interests of Alaskans and non-resident fish corporations. Just six packing companies accounted for well over half the annual Bristol Bay salmon pack at that time, a degree of corporate monopolization and attendant political power that infuriated Alaskans in normal times. But since the Japanese “invasion” might lead to a fishery collapse that would endanger the livelihoods of all stakeholders equally, common cause was not hard to find.

Arnold concurred with Dimond on the key points regarding the territorial boundary. The canned salmon industry had opposed Dimond for years and contributed heavily each election cycle to the campaigns of his Republican opponents. But now, Arnold wrote a letter to Dimond stating the packers were “deeply appreciative of your efforts.”

Political historians have tended to view Alaska residents and the Outside cannery owners as opponents with little to no common ground—or common waters, I should say. The statehood movement in particular has been characterized in terms of this conflict. Although such a focus is by no means misplaced, the 1937 Japanese fishing crisis shows an overlap in the interests of the two stakeholder groups was at times possible. As Alaska historians bring a renewed focus to the history of canneries, we would do well to consider interpretations that challenge previously accepted orthodoxy.

Monday, May 6, 2013

Alaska World War II Remembrance Days


This Saturday, May 11, marks the 70th anniversary of the beginning of the Battle of Attu. Governor Sean Parnell has dedicated this week as Alaska World War II Remembrance Days. Several events around the state will honor veterans and remember this historic event in Alaska’s History:

Thursday, May 9 – Alaska WWII Remembrance Day in Anchorage. Historical and musical tribute by the Alaska Veterans Museum and the Russian American Colony Singers, St. Patrick’s Parish Hall, 2111 Muldoon Road, 7pm. Tickets are $20 in advance (centertix.net) or $30 at the door. Admission for WWII veterans is free of charge. For WWII veterans' invitations please call 907-677-8802.

Friday, May 10 – Red, White, Blue and Black in Anchorage. Screening of Tom Putnam’s documentary about the Battle of Attu, featuring veterans Bill Jones and Andy Petraus, Dimond High School, 7pm. Admission $10, $8 for veterans. Find out more about this film at www.alaskainvasion.com.

Saturday, May 11 – Wreath Laying Ceremony in Fairbanks, Alaska-Siberia WWII Monument in Griffin Park, 11am.

Saturday, May 11 – Alaska WWII Remembrance Day in Fairbanks. Historical and musical tribute by the Alaska Veterans Museum and the Russian American Colony Singers, Alaska Centennial Center at Pioneer Park, 2pm. Tickets $15 in advance (centertix.net) or $20 at the door. Admission for WWII veterans is free of charge. For WWII veterans' invitations please call 907-677-8802.

Saturday, May 11 – Red, White, Blue and Black in Anchorage. Screening of Tom Putnam’s documentary about the Battle of Attu, featuring veterans Bill Jones and Andy Petraus, Dimond High School, 7:30pm. Admission $10, $8 for veterans. Find out more about this film at www.alaskainvasion.com.

Alaska Veterans Museum in Anchorage – Displays and information about Alaska in WWII. The museum is located at 333 West 4th Ave. Open from 10am-5pm Wednesday-Saturday, but summers hours start on Memorial Day, 10am – 6pm Monday-Saturday.

Do you want to find out more about how WWII affected our state? There are lots of ways to do so!

Check out the Alaska Historical Society’s website here: http://www.alaskahistoricalsociety.org/index.cfm/discover-alaska/FAQs/12

Wander into a museum! The Anchorage Museum’s permanent exhibit on Alaska History has an entire section on Alaska at War, and the temporary exhibit Arctic Flight. Also check out Anchorage’s Veterans Museum, the Kodiak Military History Museum, Fairbank’s Pioneer Air Museum, the State Museum in Juneau, and a host of others around the state for more info on WWII in Alaska.

Plan a visit (or a virtual visit!) to the Aleutian World War II National Historic Area. Their website has great features on the Aleutian campaign, the Aleut POW situation, and the tragic and forcible evacuation of nearly 900 Unangan (Aleut) people from their homes). www.nps.gov/aleu. You can also read about the National Park Service’s “Lost Village Project” here: http://www.nps.gov/akso/history/lost_villages.cfm and here: http://www.nps.gov/akso/nature/science/ak_park_science/PDF/2011Vol10-2/attu-a-lost-village-of-the-aleutians.pdf

Read a book! There are hundreds of publications about Alaska during World War II. Here are some to start with:
Alaska At War, 1941-1945: The Forgotten War Remembered, 1995, edited by Fern Chandonnet

The Thousand-Mile War: World War II in Alaska and the Aleutians, 1969, by Brian Garfield

Journal of An Aleutian Year, 1988, by Ethel Ross Oliver

Attu Boy, 2012, by Nick Golodoff

Last Letters from Attu, The True Story of Etta Jones, Alaska Pioneer and Japanese POW, 2009, by Mary Breu

Thursday, May 2, 2013

Eight Stars of Gold…


By Katie Myers

Eighty-six years ago today, the Alaska Legislature adopted the official flag of the Territory of Alaska. The flag, designed by 13-year-old John Ben “Benny” Benson, an Aleut originally from Chignik, was the winner in the Alaska Department of the American Legion’s 1926 contest for 7th-12th graders. In his original entry, Benny wrote:

“The blue field is for the Alaska sky and the forget-me-not, an Alaskan flower. The North Star is for the future state of Alaska, the most northerly in the union. The Dipper is for the Great Bear – symbolizing strength.”


The Territorial Legislature unanimously adopted Benson’s flag on May 2, 1927, and passed an act proclaiming it the official flag of the territory. In part, the act stated:

“The design of the official flag is eight gold stars in a field of blue, so selected for its simplicity, its originality and its symbolism. . . . The stars, seven of which form the constellation Ursa Major, the Great Bear, the most conspicuous constellation the Northern sky, contains the stars which form the ‘Dipper,’ including ‘pointers‘ which point toward the eighth star in the flag, Polaris, the North Star, the ever constant star for the mariner, the explorer, hunter, trapper, prospector, woodsman, and the surveyor. For Alaska the Northernmost star in the galaxy of stars and which at some future time will take its place as the Forty-ninth star on our National Emblem.”

This simple flag inspired Marie Drake, a secretary to the Commissioner of Education, to write the stirring poem “Alaska’s Flag” in 1935. Soon after, in 1938, Elinor Dusenbury, the wife of the Commanding Officer of the Chilkoot Barracks at Haines from 1933-1936, composed the familiar song to Drake’s words.  She said, “I wrote the music for Marie’s beautiful poetry from pure unadulterated homesickness for Alaska! I shed more tears on the boat going out than I ever have before or since.”

In 1955, when the Alaska Constitutional Convention gathered, Benny Benson was invited as a guest of honor. When he was introduced, he was greeted by a standing ovation. Benson later said, “The noise was so loud I couldn’t hear a thing; people whistled and hollered and stamped.” The convention fittingly ended with the crowd singing the “Alaska’s Flag” song.

When Alaska became a state, the flag became the state flag, and the song became the state song.

Today, the work of these three people; the simple, clean and meaningful design of a remarkable teenage boy, the emotional words of a poet, and the score inspired by homesickness that even today, brings tears to some Alaskans’ eyes when they hear it; are inseparable from Alaska. The flag, poem, and song ARE Alaska, and the stories of the creative trio who made it happen are still inspiring to this day.

Want to learn more about Benny Benson? Check out the Alaska Historical Society’s “Kids Page” on him here: http://www.alaskahistoricalsociety.org/index.cfm/discover-alaska/Kid%27s-Page/137

More information on the Alaska Flag can be found on Museums Alaska ‘s website here: